Wendy Warner, hailed by Strings magazine for her “youthful, surging   playing, natural stage presence and almost frightening technique,” has become   one of the world’s leading cellists. Since she first garnered international   attention by winning first-prize at the Fourth International Rostropovich   Competition in Paris in 1990, audiences have watched Warner perform on   prestigious stages including New York's Carnegie Hall, Symphony Hall in Boston,   Walt Disney Hall in Los Angles, Paris' Salle Pleyel and Berlin's Philharmonie.  
         
        Warner has collaborated with such leading conductors as Mstislav   Rostropovich, Vladimir Spivakov, Christoph Eschenbach, Andre Previn, Jesús   López-Cobos, Joel Smirnoff, Carlos Miguel Prieto, Ignat Solzhenitsyn, Charles   Dutoit, Eiji Oue, Neeme Järvi and Michael Tilson Thomas. She has recently   performed with the Santa Barbara, Detroit, Colorado and New World Symphonies;   the St. Paul Chamber Orchestra, and the St. Petersburg Philharmonic, Orchestre   Symphonique de Quebec and the Calgary Philharmonic.  
         
        Additional North   American engagements have included the Chicago, Boston, Dallas, North Carolina,   Jacksonville, Montreal, New Mexico, Omaha, Nashville and San Francisco   Symphonies, and the Minnesota and Philadelphia Orchestras. Around the world she   has performed with the London Symphony (Barbican Center), Berlin Symphony, Hong   Kong Philharmonic, French Radio Philharmonic Orchestra, Iceland Symphony,   L'Orchestre du Capitole de Toulouse, and L'Orchestre de Paris, with which she   performed the Brahms Double Concerto with violinist Anne-Sophie Mutter, Semyon   Bychkov conducting.  
         
        Highlights from the 2008-2009 season brought Warner   to South Africa, debuting with the Cape Town Philharmonic Orchestra and a world   premiere of a Beethoven Trio in Chicago with violinist Sang Mee Lee and pianist   George Lepauw. Her concerto appearances this season include the Chamber   Orchestra of Philadelphia, Cape Cod Symphony, Evanston Symphony, Valdosta   Symphony (GA) and the Santa Fe Concert Association performing the Barber   Concerto with members of the New Mexico and Santa Fe symphonies. 
      A passionate chamber musician, Warner has collaborated with the Vermeer and   Fine Arts Quartets and esteemed violinist Gidon Kremer. Recital work includes   performances at the Music Institute of Chicago’s Nichols Hall, the Phillips   Collection in Washington D.C, the Isabella Stewart Gardner Museum in Boston, and   internationally in Milan and Tokyo. Warner was invited to perform in recital and   with orchestra at the 70th birthday celebration concert for Mstislav   Rostropovich in Kronberg, Germany and with Rostropovich in Vivaldi’s two-cello   concerto in Reims, France. Festival highlights include performances with El Paso   Pro-Musica, Grand Teton Music Festival and Penderecki's Beethoven Easter   Festival in Krakow.  
         
        Warner's musical career began at age six under the   tutelage of Nell Novak, until she joined Mstislav Rostropovich at the Curtis   Institute from which she graduated. Warner made her New York debut with the   National Symphony Orchestra conducted by Mstislav Rostropovich in October 1990,   playing Shostakovich’s First Cello Concerto. She was immediately reengaged to   appear with the NSO on a North American tour in 1991. She was also the featured   soloist on the Bamberg Symphony’s 1991 European tour, again, conducted by   Rostropovich, making her debuts in Frankfurt, Stuttgart, Köln, Düsseldorf and   Berlin. From there, she debuted in important music halls all over the world, as   well as with the European Soloists of Luxembourg at Frankfurt's Alter Oper, and   the Orchestre National Bordeaux Aquitaine. She has toured Japan as soloist with   NHK Symphony Orchestra and Japan Philharmonic.  
         
        In 2009-2010 Wendy Warner   will be releasing three more cds for Cedille: Popper and Piatigorsky,   Rachmaninov and Myaskovsky Sonatas as well as a cd devoted to unknown Beethoven   piano trios including a world premiere. Her past recordings include Hindemith’s   complete chamber works for cello for Bridge Records and a disc of 20th century   violin and cello duos with Rachel Barton Pine for Cedille Records. Warner’s   critically acclaimed CD of Samuel Barber’s Cello Concerto, with Marin Alsop and   the Royal Scottish National Orchestra, was released by Naxos.  
         
        A   recipient of the prestigious Avery Fisher Career Grant, Warner teaches at   Roosevelt University and resides in Chicago. 
      The outstanding cello bow being used by Wendy Warner is by Francoix Xavier   Tourte of Paris, c. 1815, the "De Lamare" on extended loan through the generous   efforts of the Stradivari Society of Chicago. The Stradivari Society is a unique   organization that supports the very highest level of string playing by assisting   Patrons who own the most precious antique Italian instruments and French bows   and choose to make them available to artists of exceptional talent and   ability. 
      website:http://wendywarnercello.com/ 
        
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     “A pianist of exceptionally finished technique and purity of musical   impulse.” (Boston Globe) Marta Aznavoorian has performed nationally and abroad.   A Chicago native, she has performed in her hometown’s most prestigious venues,   and has appeared as a soloist with the Chicago Symphony Orchestra, Sydney   Symphony Orchestra, New World Symphony, Aspen Concert Orchestra, San Angelo   Symphony and San Diego Symphony, working with such renowned conductors as the   late Sir George Solti, Lukas Foss, Michael Tilson Thomas and Henry Mazer, to   name a few. Solo recital credits include the Kennedy Center in Washington D.C.,   Sydney Opera House, Steinway Hall, Weill Hall, Caramoor Festival, Tanglewood   Festival, Music in the Loft, Dame Myra Hess Series, and Green Lake music   Festival.  
      Ms. Aznavoorian has collaborated with such artists as the Pacifica Quartet,   Julian Rachlin, Robert Chen, Colin Carr, Stefan Milenkovich, and Jennifer   Frautschi. She has made a recording of Sonatas for violin and piano by   Stravinsky and Ravel under the ARTEC label and is currently working on her next   recording with Cedille Records.  
      Ms. Aznavoorian received her Bachelor of Music degree and Music Performers   Certificate from Indiana University, and a Masters of Music degree from New   England Conservatory. Past teachers include Lev Vlassenko, Menahem Pressler,   Carolyn McCracken, Patricia Zander, Evelyn Brancart, and Emilio del Rosario.  
    A member of the Lincoln Trio, ensemble-in-residence at the Music Institute of   Chicago, Ms. Aznavoorian is also a member of the MIC Faculty. 
    website: LincolnTrio.com   |